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Archival description
Regency Drum Top Table
GB 891 QW-QW/14-QW/14/4 · File · [1820]
Part of Papers of Horace Geoffrey Quaritch Wales

A Regency drum top table circa 1820, the circular top has a moulded edge above alternating real and dummy cockbeaded drawers. It stands on ring turned and quadrangle reeded splayed legs. It is 74cm high with diameter of 120cm. It is not known how the table came into the possession of Quaritch Wales.
The table is housed in the Society's Council Room.

Reflections and Replies
GB 891 ACG-ACG/13-ACG/13/39 · Subseries · 1987 - 1991
Part of Papers of Angus C. Graham

Reflections and Replies was Graham's contribution to his own Festschrift, Chinese Texts and Philosophical Contexts, edited by Henry Rosemont, published by Open Court in 1991. The material contains Graham's and other contributors' drafts, and correspondence concerning the publication.

Graham Angus Charles 1919-1991
GB 891 TM-TM/16-TM/16/8 · File · [1840-1940]
Part of Papers of Thomas Manning, Chinese Scholar, First English visitor to Lhasa, Tibet

"Recollections of Napoleon at Saint Helena By Mrs Abell. Murray 1844". Copy of the extract concerning Manning's visit to Napoleon from Mrs Abell's book, "Recollections of the Emperor Napoleon, during the First Three Years of his Captivity in the Island of St Helena". Handwritten in ink, 1 piece, 2 sides.

GB 891 SC22 · Fonds · 1827

Correspondence concerning the identification of the portrait, The reception of Lord Amherst by Rup Lal Mallick, by William Henry Florio Hutchisson. The painting, at the time of the correspondence, was owned by Major-General Sir George McKenzie Franks. The material consists of:

  • A photograph of the painting mounted on brown card.
  • Letter from Major V. Hodson to Sir Patrick Cadell to give his opinion on who might be present in the painting. He recognises Colonel Duncan Macleod and names other possibilities. With the letter is a pencil sketch of some of the figures and his identification of those numbered. He also writes of a possible date and occasion. Typed letter, dated 13 July, 1947.
  • Letter from Sir Patrick Cadell to Sir Richard Winstedt to write of the information he has obtained from Major Hodson. The letter records that the photo was sent to Winstedt by a Mr Sheppard. He also adds thoughts from other sources, but admits beyond the information he's provided he cannot help further. He suggests contacting C.E.A.W. Oldham or W. Foster. Handwritten letter, 7 sides, dated 18 July 1947.
  • Note from Sir Richard Winstedt to Sir William Foster to ask him if he might be interested in the material and be able to identify the painter. Handwritten on Royal Asiatic Society headed paper, dated 30 August 1947.
  • Letter from Sir William Foster to Sir Richard Winstedt in which he suggests that the artist might be William Henry Florio Hutchisson. Typed letter, dated 1 August 1947 (Probably 1 September 1947).
  • Letter from Major-General Sir George McKenzie Franks to Major Sheppard in which he writes of new information that he acquired about the picture from a book he had been lent by a Mrs Brabazon with reminiscences of her ancestor, General Sir George Bell. In the book is an account of an event in 1827 in Calcutta which fits with the details of the painting. This dates also fits with the time that Franks' great-grandfather was in India. The description gives clues to other people present and that the event was hosted by Rup Lal Mallick. With the letter is a typed copy of the appropriate section from Bell's memoirs. Typed, 4 sides, dated 16 September 1947.
  • Letter from Major-General Sir George McKenzie Franks to Sir Richard Winstedt to update him on the material that has been found describing the events of the painting. He invites Winstedt to view the painting if ever in Ireland. With his letter he sends a list entitled 'Notes on colour of uniforms, etc, with reference to numbers on tracing'. Typed, dated 22 September 1947.
Franks Sir George McKenzie 1868-1958 Major-General