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Translations of Sections 5 and 8 of the Prabhu Linga Leelai named as the 'Prabhu Linga Lila' within the volumes. The translations are contained within bound volumes, the one containing section 8 has 'Brown's P.L. Lila' embossed on the spine. The translator states at the beginning of each volume 'Began reading 22nd April 1839, Began Translation 5th June 1839'. The translation is in prose rather than the verse form of the original though the verses are numbered within the margins. The volume containing section 5 also contains 'Notes on Prabhu Lingua Lila Section 3'.

"Prabhu Linga Leelai" is a 15th-century Lingayata work, written in Kannada, by Chamarasa. The poet had a dream in which Virabhadra, the son of Siva, asked him to write a long poem on the Lingayata saints of the 12th century. Chamarasa subsequently composed the entire Prabhulinga Leelai in eleven days. The book is based on the life and spiritual experiences of Allama Prabhu, a 12th century Virasaiva saint and teacher. The poet presented his poem to the court of his king Deva Raya II. This Kannada work was translated into Tamil verse by Sivaprakasa Swamigal, a Virasaiva poet and scholar, in the seventeenth century.

A Maldivian Nakaiyterikaṅ (astrology) manuscript. At the commencement of the manuscript it is titled in English, "Nek-ket Were-ingay foy which means our conjuring book". This is followed by an explanation of its use, e.g. in consulting before undertaking a voyage. This copy was made in September 1817 by Nalle Tandy, a "Chitty man" who was the interpreter of the Maldivian language.

An imperfect copy of the Puthen Pana or the Misiha Charitham of Johann Ernst Hanxelden. A letter inserted into the book, dated 26 January 1934, sent from L.D. Barnett to Mrs Cardew, identifies the volume and dates it as 18th century. The Puthen Pana is a poem written by Hanxleden about the life of Jesus Christ. On the front papers there is a note to state that the manuscript was given to the Society by Sir Alexander Johnston and that it is in Malayalam.

The poem consists of 14 padams. The first padam informs readers that the poem is written at the request of Antonio Pimental, Archbishop of Cranganore. The second padam focuses on the Fall of Man, fourth - the Annunciation, fifth - the Nativity, seventh - the Sermon on the Mount, tenth - the Last Supper, eleventh - the Trial and Crucifixion, the twelfth padam portrays the lament of Virgin Mary at the Crucifixion and Death of Jesus, thirteenth - the Resurrection, and the fourteenth portrays the Ascension. The 12th padam is considered the most important in the poem. But for the 12th, which is written in the metre, Nathonatha, the rest of the couplets are written in the metre, Sarpini.

Some of the pages are fragile and a few have had historic conservation repairs.

A Collection of Dharanis transcribed in Sanskrit, Chinese and Korean is a woodblock printed book with side-stitched binding comprising of wrapped-back sheets of paper and a plain outer cover. The title of the volume is written on the front cover along with a Royal Asiatic Society stamp. No other identifiers in English are available. The place and date of production are unknown but presumably precedes the common adoption of western binding techniques in the 1920-1930s.