An unfinished polychrome scaled copy of the wall painting in what is presumed to be Cave No. 51. The image depicts a large central enthroned figure of the Buddha surrounded by attending figures. To the right appears to be another figure seated on a double lotus. Further figures are alluded to.

Rough sketches and notes of so-called 'Visitor Inscriptions' predominantly from Cave No. 10. There is one inscription from Cave No. 3. The names and dates inscribed onto the walls on Cave No. 10 have been copied in the style and arranged in an order which indicates their location in the caves. These are dated 1678, 1697, 1706, 1708, 1710, 1718, 1735 and 1771.

A large unfinished sketch of the decorated left hand wall inside Cave No. 35. Only two figures are roughly depicted. Scale is one fifth of an inch to a foot.

Two small individual rough sketches in pencil depicting a seated figure of the Buddha and a group of figures mounted onto a larger sheet of paper.

An envelope containing three folded sheets of impressions of Pahlavi inscriptions of Cave No. 66 at Kanheri. Two appear to have been taken by Walter West on his visit to the caves between December 27th and 29th 1870, while the third seems to be an earlier one taken by Edward William West which has been checked and notated by W. West latterly.

These are page 7 on the folder list.

A rough pencil sketch of the stupa in Cave No. 103 with some indication to the overall layout of the cave. Scale is a quarter inch to a foot.

Small detailed pencil sketch depicting a standing figure of the Buddha from an auxiliary cell in Cave No. 3.

Unfinished scaled drawing of a colosal standing figure of Buddha from Cave No. 3. Scale is a quater of an inch to a foot.

A rough sketch made after a photograph outlining a seated image of the Buddha flanked by two figures from cave No. 64. Scale is one inch to a foot.

Three pieces of scrap paper with calculations, shorthand notes and lists.