An unfinished polychrome scaled copy of the wall painting in what is presumed to be Cave No. 51. The image depicts a large central enthroned figure of the Buddha surrounded by attending figures. To the right appears to be another figure seated on a double lotus. Further figures are alluded to.

Rough sketches and notes of so-called 'Visitor Inscriptions' predominantly from Cave No. 10. There is one inscription from Cave No. 3. The names and dates inscribed onto the walls on Cave No. 10 have been copied in the style and arranged in an order which indicates their location in the caves. These are dated 1678, 1697, 1706, 1708, 1710, 1718, 1735 and 1771.

A large unfinished sketch of the decorated left hand wall inside Cave No. 35. Only two figures are roughly depicted. Scale is one fifth of an inch to a foot.

An unfinished drawing of a panel in pencil.

Unfinished pencil drawing of a column with a decorative capital from Cave No. 3.

Two small individual rough sketches in pencil depicting a seated figure of the Buddha and a group of figures mounted onto a larger sheet of paper.

Tracings of stone 'Elephant, side and rear, and a description.

Three inscriptions reduced from the original rubbings. These are at a scale of a 1/3. The locality of these is unknown.

An envelope containing three folded sheets of impressions of Pahlavi inscriptions of Cave No. 66 at Kanheri. Two appear to have been taken by Walter West on his visit to the caves between December 27th and 29th 1870, while the third seems to be an earlier one taken by Edward William West which has been checked and notated by W. West latterly.

These are page 7 on the folder list.

Drawings of small sculptures and an inscription.