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Within this series there are rubbings probably from inscriptions on copper plates, diagrams of agricultural tools and a hand-drawn map of Baiswara.

Vocabulaire tagalog-francais-anglais by Aristide Marre and Isabelle Pinches. A handwritten manuscripts of Tagalog, French and English vocabulary. It appears that the Tagalog-French entries were probably provided by Marre and the English translations by Isabelle Pinches. This is written on the reverse of pages cut from French Gas bills, dating from 1900 to 1906.

Vocabulary notes.

Vocabulary of the Broken Tribes of Himalaya. "Printed in Jour. Asi. Soc. Bengal, Vocabulary of Broken tribes of Himalaya to As. Soc of Bengal Oct 9 1857 with memoir on Váyus". Vocabulary sheets comparing English, Kusundá, Pákhyá, Thakśya and Tháru. handwritten, 6 large sheets, dated 9 October 1857.

Policies and Allied Documents concerning Volunteers working with the Collections.

Correspondence concerned with the Legacy of W.H. Moreland on his death in 1938 in which the Society were bequeathed some of his possessions, the income from his publications and one quarter of his estate upon the death of other named members of his family. The correspondence concerning this dates from 1938-1940.
There is further correspondence from 1956-1958 after the death of his family members and also earlier correspondence concerning publication of his books, dated 1922-1923.

"W.A.C.H. Dobson, Late Han Chinese: a Study of the Archaic-Han Shift, University of Toronto Press, 1964." Two typed drafts of a review of this book, one with extensive handwritten annotations and the other with further handwritten notes, 19 pieces.

Waking at Night - short story by Angus Graham, three drafts: two of 7 pages, 1 of 8 pages.

An unfinished polychrome scaled copy of the wall painting in what is presumed to be Cave No. 51. The image depicts a large central enthroned figure of the Buddha surrounded by attending figures. To the right appears to be another figure seated on a double lotus. Further figures are alluded to.

Two polychrome scaled copies of paintings from Cave No. 16 and No. 21. The copy of the painting from Cave No. 16, which depicts a group of robed figures on the ceiling of the cave, is unfinished. The copy from Cave No. 21 depicts the remains of a grid of seated figures on the back wall of the cave, as well as some surrounding architectural detail. The scale of this drawing is one inch to a foot.