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An unfinished polychrome scaled copy of the wall painting in what is presumed to be Cave No. 51. The image depicts a large central enthroned figure of the Buddha surrounded by attending figures. To the right appears to be another figure seated on a double lotus. Further figures are alluded to.

The beginning of a scaled drawing of a doorkeeper from the right of the entrance to Cave No. 72. Depicted is only the headdress, outline of the shoulders, and the end of what is likely a weapon. Included are some notes of the colours of the painting. Scale in one inch to a foot.

A fragment drawing in red ink and pencil over two pages of a circular wall painting from Cave No. 86. Scale is a quarter inch to a foot.

Detail of a pilaster ornament in Cave No. 42 and of a square column in Cave No. 10. Both are pencil sketches.

Pen-and-ink drawings with pencil annotations of 12 pilaster ornaments from different Kanheri caves.

A photograph of a small detached figure. A note states this item was placed in a Museum at the Bombay Branch of the Royal Asiatic Society.

A rough sketch of colossal figure at left end of verandah in cave number 3.

A leather bound folder containing two notebooks titled Kanheri: Caves I to XXI and Kanheri Caves II (caves xxi to xxxviii). There is also a comparative list of the West's account and that of French Indologist A. H. Anequetil Du Perron, as well as four pieces of scrap paper of calculations and shorthand lists.

A notebook titled 'Kanhari Caves I - XXI signed James Burgess'. The first page, titled 'Drawings', lists Plates associated to each cave. The notebook continues a descriptive account of Caves No. 1 to No. 20. Throughout, the margins are annotated, including the positioning of Plates, editorial notes, fact verification, as well as some links to earlier Western accounts of the site.

A continuation from notebook 'Kanheri Cave I to XXI', offering descriptive accounts from Cave No. 21 to No. 38.