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Letter from Kay Jerrold to Dennis J. Duncanson about the Universal Copyright Convention form in connection to Duncanson's book, requesting for the form to be filled out, signed and returned.

Letter from Kay Jerrold to Dennis J. Duncanson regarding an advance of royalties of £150 for his book.

Letter from Kay Jerrold to Dennis J. Duncanson about a review in The Guardian that Duncanson cannot trace.

Letter from Kay Jerrold to Dennis J. Duncanson regarding a clipping from Radio Times about his book. Also, mentioned in the letter is a review article from the Daily Telegraph. (This clipping is not included with the letter)

Letter from Kay Jerrold to Dennis J. Duncanson regarding their recent telephone conversation earlier in the evening. Gerrold requests that a draft note, included in the letter for inclusion in The Royal Institute of International Affair's Annual Report, be revised and returned as soon as possible.

Letter from Kay Jerrold to Dennis J. Duncanson asking for a suggestion of people, who Duncanson may know, whose names would be forwarded to Oxford University Press in order to be sent paper-bound proof copies of Duncanson's book for early publicity purposes and reviews. A list of names have been handwritten on the bottom left and reverse-side of the letter.

Letter from Kay Jerrold to Dennis J. Duncanson confirming Duncanson's instructions regarding the 5 author's copies.

Letter from Kay Jerrold to Dennis J. Duncanson to tell him that she has been in contact with Oxford University Press and had asked them to send Duncanson their review list for this book. Also, Jerrold informs Duncanson that he should contact Miss Ilinca Bossy, who is based at Oxford University Press New York and is in charge of translations, for a German edition of his book, Government and Revolution in Vietnam.

Letter from Kay Jerrold to Dennis J. Duncanson asking about what to do with Duncanson's 5 author's copies.

Letter from Kathy Lazenbatt, Librarian, Royal Asiatic Society, to J.D.M. Derrett to send a copy of the chapter that he has requested and an invoice for the copying. She also sends a copy of a portrait by the artist, Dora Gordine, believed to be undertaken in the 1940s and asks whether Derrett may be able to help in identification of the sitter.