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These Papers were all produced in the compiling of the A Catalogue of the Paintings and Drawings in the Royal Asiatic Society, London. which was published by the Royal Asiatic Society in 1991. The material includes a manuscript proof, correspondence connected to the artworks of the Society, correspondence and lists for compiling the index, and notes and articles which Head collected and collated during his research.

Correspondence from Andrew Topsfield, Victoria and Albert Museum, to Raymond Head concerning the Royal Asiatic Society's Tod Collection:

• Letter from Andrew Topsfield to Raymond Head to inform that he has worked through the Tod material loaned to the V&A museum and has edited the entries. He asks for Head to come and see them. He also writes that he is concerned about preparing a note on the Tod Collections. He writes of other similar material in a private collection in San Francisco and at the Chandigarh Museum. Dated 19 October 1982.
• Letter from Andrew Topsfield to Raymond Head to inform that the cloth-painting of Ketelaar's camp was published by E. Penkala where it was wrongly called a Mughal painting. The identification of the painting was made by T. Clowney-Morris. Dated 29 March [1983]
• Letter from Andrew Topsfield to Raymond Head regarding the ordering of the Jaipur ragamala and asking for Head to check his spellings. Dated 22 August 1983.
• Letter from Andrew Topsfield to Raymond Head regarding the snakes and ladders picture, a copy of which Head has sent to Topsfield. He wonders if it would be possible for Head to bring it to the V&A to be photographed. He writes he is re-reading Tod's Annals. Dated 25 November 1983.
• Letter from Andrew Topsfield to Raymond Head to write he found another version of Tod on an elephant reproduced on the cover of Angus Wilson's "The strange ride of Rudyard Kipling". Dated 27 February 1984.
• Letter from Andrew Topsfield to Raymond Head to state that he has located the V&A portrait of Maharaja Ali Jah Daulat Rao Sindhia Bahadur. He gives a description of the portrait but cannot find out its early provenance. Dated 21 March 1984.

Correspondence with Raymond Head mainly concerned with identification of artworks in the Society's Collections.