Two polychrome scaled copies of paintings from Cave No. 16 and No. 21. The copy of the painting from Cave No. 16, which depicts a group of robed figures on the ceiling of the cave, is unfinished. The copy from Cave No. 21 depicts the remains of a grid of seated figures on the back wall of the cave, as well as some surrounding architectural detail. The scale of this drawing is one inch to a foot.

An unfinished polychrome scaled copy of the wall painting in what is presumed to be Cave No. 51. The image depicts a large central enthroned figure of the Buddha surrounded by attending figures. To the right appears to be another figure seated on a double lotus. Further figures are alluded to.

Rough sketches and notes of so-called 'Visitor Inscriptions' predominantly from Cave No. 10. There is one inscription from Cave No. 3. The names and dates inscribed onto the walls on Cave No. 10 have been copied in the style and arranged in an order which indicates their location in the caves. These are dated 1678, 1697, 1706, 1708, 1710, 1718, 1735 and 1771.

A large unfinished sketch of the decorated left hand wall inside Cave No. 35. Only two figures are roughly depicted. Scale is one fifth of an inch to a foot.

Two small individual rough sketches in pencil depicting a seated figure of the Buddha and a group of figures mounted onto a larger sheet of paper.

A rough pencil sketch of the stupa in Cave No. 103 with some indication to the overall layout of the cave. Scale is a quarter inch to a foot.

Small detailed pencil sketch depicting a standing figure of the Buddha from an auxiliary cell in Cave No. 3.

Unfinished scaled drawing of a colosal standing figure of Buddha from Cave No. 3. Scale is a quater of an inch to a foot.

A rough sketch made after a photograph outlining a seated image of the Buddha flanked by two figures from cave No. 64. Scale is one inch to a foot.

Hand drawn pencil, ink and ink wash plan of some of the Kanheri topes located near Caves No. 38 and 39, including some annotations. Scale is 60 ft. to an inch. This drawing was presented to the Bombay Branch of the Royal Asiatic Society in October 1861 and was later published in their journal.