Letter from Geoff Salter, Hampshire County Library, to Raymond Head to enclose information regarding the pictures and articles that were in the house of George Staunton, Leigh Park House, Hampshire, in 1836. He asks whether any in the list match those in the Royal Asiatic Society's Collections. A photocopy of the list is with the letter. The list bears some handwritten annotations of items that are or were in the Society's Collections.

Letter from Elizabeth A Powis, Assistant Librarian, The Royal Institution, to Raymond Head to send information regarding the Egyptian mummy, belonging to the Royal Asiatic Society which was unrolled at the Royal Institute. She enclose a copy of the illustrations from the book "An Address on Embalming Generally, delivered at the Royal Institution on the Unrolling of a Mummy" by John Davidson. These illustrations are with the letter. She writes that she is also enclosing a copy of the Managers' Minutes concerning the lecture. This is not with the letter.

Letter from Roderick Whitfield, Department of Oriental Antiquities, British Museum, to Raymond Head to give titles of reference books that maybe of help to Head. He writes that he found the Morrison prints most interesting and suggests they receive conservation treatment at the earliest opportunity. He also advises regarding "the painting on the wall in the hall".

Letter from Susan Sloman to Raymond Head to discuss William Alexander and George Staunton. She sends a copy of an article from The Connoissuer with her letter and suggests a catalogue on William Alexander which might also be helpful. The article is with the letter - "Lord Macartney's audience with the Emperor of China" by Susan Legouix from the Connoissseur, February 1979, pp.122-127.

Correspondence with Garland Cannon:

• Draft letter from Raymond Head to Professor Cannon to ask for help in determining the provenance of the artworks that belonged to Sir William Jones in the Society's Collection. Dated 19 January 1983.
• Letter from Garland Cannon to Raymond Head to state that he was pleased to hear about the Jones' drawings at the Royal Asiatic Society and asks to be kept informed of progress in their cataloguing. He suggests contacting Ray Desmond at the India Office Library to find out more information. Dated 2 February 1983.

Four letters concerning the drawings of Brian Houghton Hodgson in Paris. These are:

• Letter from Rita Réguir, Centre d'Etudes dess Monuments de Monde Indian, Paris, to Raymond Head to give the name and address of Gilles Béguin, Conservator at the Musée Guimet as the person to contact regarding the Hodgson drawings. She also includes a photograph of the Palm-tree House at Berlin designed by K.F. Schinkel to show the influence on Indian architecture on Western style which she hopes may be of some use to Head. Dated 28 June 1983. The photograph is with the letter.
• Letter from Raymond Head to Gilles Béguin to ask for his help concerning the identity of the drawings given by Hodgson to the Institute de France, Paris, dated 18 August 1983.
• Letter from Gilles Béguin to Raymond Head regarding suitable dates for Head to visit Paris to see the drawings. Written in French, dated 27 October 1983.
• Letter from Gilles Béguin to Raymond Head to confirm the dates of Head's visit to Paris. Written in French, dated 29 November 1983.

Correspondence with John Lust concerning the Society's Chinese prints. These are:

• Letter from John Lust to Raymond Head to ask if he would send copies of the Chinese prints for his files. Handwritten, dated 20 February 1984.
• Copy of a letter from Raymond Head to John Lust to give a summary of the information he has worked out concerning the Chinese prints. Copy of typescript, 2 pieces, undated.
• Letter from John Lust to Raymond Head to state that he hopes more Chinese prints might be found at the Royal Asiatic Society as the inventory he provided does not match the prints they have found. Typed, undated.
• Letter from John Lust to Raymond Head to point out the difference between exorcist and excorcist. Handwritten, undated.
• Note from John Lust to Raymond Head to correct Head's notes concerning the use of seals. Typed, undated.
• Statement from John Lust on the Morrison collection of Chinese woodblock prints. Typed, undated.

Correspondence from Derek Gladwyn. These are:

• Letter from Derek Gladwyn to Raymond Head to inform him that he had seen the painting at the National Maritime Museum about which he had asked Head. It was in their stores and he warns Head that they need a week's notice to view the item. Handwritten, dated 18 March 1984.
• Copy of a letter from Derek Gladwyn to the Curator, Print Room, National Maritime Museum, to ask for permission to view two paintings of the Trial of Four British Seaman at Canton. Typed, dated 19 March 1984.